Many early experimental films were a product of the surrealist artistic movement of the
1920s-1930s
Anemic Cinema ( Duchamp 1926)
Un chien andalou ( Bunuel /Dali 1929 )
The first American experimental films appear........
Meshes of the afternoon ( Deren 1943)
Scorpio Rising ( Anger 1964 )
FRENCH NEW WAVE
New Wave (French: La Nouvelle Vague) is a French art film movement[3] which emerged in the 1950s and 1960s. New Wave filmmakers were linked by a spirit of iconoclasm and their rejection of traditional filmmaking conventions. Common features of the New Wave included experimentation with editing, visual style, and narrative, as well as engagement with the social and political upheavals of the era.[3] The New Wave is often referred to as one of the most influential movements in the history of cinema.
Key director : Jean-Luc Godard
Godard focused on subverting genre and narrative and experimented with many elements of film form such as long unbroken takes...
Weekend ( Godard 1967)
Godard also used highly unconventional and experimental editing techniques such as jump cuts , which filmmakers normally avoid as it breaks the rules of invisible editing ...
A bout de souffle ( Godard 1960)
Bande a part ( Godard 1964)
Godard is a huge influence on many postmodernist , experimental and mainstream filmmakers such as Martin Scorsese and Quentin Tarantino
A filmmaker influenced by surrealism as well as other other art forms and music is
David Lynch, who since the 1970s has created experimental films, mainstream /postmodernist Hollywood films, television series as well as films which combine features of all of the above along with genres such as crime,melodrama and horror.
Eraserhead ( Lynch 1977) Has many experimental elements
The Elephant Man ( Lynch 1980)
A mainstream narrative film
ALSO .......
Le Jetee ( Marker)
Warhol's experimental films
New French Extremity e.g Irreversible
Slow Cinema
Pure Cinema ( and other non-narrative cinema )
"Postmodernist " films and TV :
not as extreme in their experimental use of film form or narrative and generally 1990s onwards,be of standard length and may be released and consumed within the mainstream of rather than linked to visual art movements or philosophical movements. They may bend the rules of narrative and film form conventions within a fairly traditional structure or feature more consistent use of cause and effect or mise-en-scene....
Adaptation
Being John Malkovich
Dogville
Far From Heaven
Memento
Mulholland Drive / Lost Highway ( David Lynch )
The Simpsons
Family Guy
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